From the Cinematography Group on Facebook!
Pretty cool!
Amazing lighting setup, no VFX, by ⚡@mattardine "Nike, 2017.
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Lights
8 – 20k balloons, 20’x8′
145 – Martin Rushpars
50 – Colorado Tripars
75 – Sunstrips
10 – Clay Paky Scenius
30 – Clay Paky Sharpys
12 – Arri Skypanel S-60
4 – ETC Source 4 Lustre
2 – Brite Box Flame follow spot
2- Arrimax 18k
2 – GrandMA2 Full
4 – GrandMA2 NPU
4 – TMB Proplex Fiber Switches
4 – 750′ Fiber
1 – WDMX 2 Universe Transmitter
8 – Innovative Dimmers Cinetennas
8 – Optisplitters
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Production Company: Doomsday
Director: Hiro Murai
Cinematographer: Larkin Seiple
Lighting Designer: Matt Ardine
Lighting Console Programmer: Eric Androvich
Rigging Gaffer: Ted Barnes
DMX Tech: Paul Sartain
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⚡@iatselocal728 @clay.paky @ma_lighting_international
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Lighting gear provided by: @voltlites
Electrical Gear Provided by: Blackline Rigging and Lighting
Lighting Balloons Provided: @onelightballoons
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post via : @filmlights ⚡️
Amazing lighting setup, by ⚡@mattardine "Nike, 2017.
-
Lights
8 – 20k balloons, 20’x8′
145 – Martin Rushpars
50 – Colorado Tripars
75 – Sunstrips
10 – Clay Paky Scenius
30 – Clay Paky Sharpys
12 – Arri Skypanel S-60
4 – ETC Source 4 Lustre
2 – Brite Box Flame follow spot
2- Arrimax 18k
2 – GrandMA2 Full
4 – GrandMA2 NPU
4 – TMB Proplex Fiber Switches
4 – 750′ Fiber
1 – WDMX 2 Universe Transmitter
8 – Innovative Dimmers Cinetennas
8 – Optisplitters
-
Production Company: Doomsday
Director: Hiro Murai
Cinematographer: Larkin Seiple
Lighting Designer: Matt Ardine
Lighting Console Programmer: Eric Androvich
Rigging Gaffer: Ted Barnes
DMX Tech: Paul Sartain
-
⚡@iatselocal728 @clay.paky @ma_lighting_international
-
Lighting gear provided by: @voltlites
Electrical Gear Provided by: Blackline Rigging and Lighting
Lighting Balloons Provided: @onelightballoons
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post via : @filmlights ⚡️Posted by Cinematography on Tuesday, June 23, 2020