Janna Miesner posted in CAMERA OPERATIONS
Thank you Roy H. Wagner ASC for this:
JEANNE EAGLE - Harry Stradling Jr. ASC operating the camera. Robert Planck ASC director of photography, smoking.
Posted by Roy H Wagner Asc on Tuesday, November 8, 2022
Bruce A. Simon from Legacy Members posted in CAMERA OPERATIONS
OSCAR REMEMBERS
The 86th Academy Awards recognized Sarah with a banner following Bette Midler's performance of "The...Posted by Safety for Sarah on Thursday, November 3, 2022
Cecil B. DeMille from honorarium in perpetuum posted in CAMERA OPERATIONS
“I try to pick projects that I can bring something new to.”
The Conners' #cinematographer Donald A. Morgan, ASC
“I...
Posted by Panavision on Tuesday, September 13, 2022
Bruce A. Simon from Legacy Members posted in CAMERA OPERATIONS
In the Summer issue of 𝘊𝘢𝘮𝘦𝘳𝘢 𝘖𝘱𝘦𝘳𝘢𝘵𝘰𝘳 𝘮𝘢𝘨𝘢𝘻𝘪𝘯𝘦 ((OUT NOW)), The SOC brings you multimedia stories that shine a light on...
Posted by Society of Camera Operators on Thursday, July 28, 2022
Janna Miesner posted in CAMERA OPERATIONS
Gotta love this:
That lens 🧐🧐🧐
Posted by Cinematography on Monday, July 11, 2022
Janna Miesner posted in CAMERA OPERATIONS
How Cinematography in 'Casino Royale' Revolutionized the Bond FranchiseCinematography in 'Casino Royale' completely revolutionized the Bond franchise.
Posted by Insider Entertainment on Tuesday, March 24, 2020
Janna Miesner posted in CAMERA OPERATIONS
A little Camera Dept. Humor
Cecil B. DeMille from honorarium in perpetuum posted in CAMERA OPERATIONS
Sony Drones are truly positioned to take over the market!
Exhibit A:
More: https://sonycine.com/articles/sony-airpeak-s1-and-fx3-put-to-the-test-i…
Bruce A. Simon from Legacy Members created a topic in CAMERA OPERATIONS
Owen Stephens SOC from Legacy Members created a topic in CAMERA OPERATIONS
Cecil B. DeMille from honorarium in perpetuum created a topic in CAMERA OPERATIONS
Bruce A. Simon from Legacy Members created a topic in CAMERA OPERATIONS
Tammy Fouts created a topic in CAMERA OPERATIONS
Bruce A. Simon from Legacy Members posted in CAMERA OPERATIONS
Thanks to Jim Plannette for sharing on Facebook:
Jimmy (JJ) Jacobs from Legacy Members posted in CAMERA OPERATIONS
Cecil B. DeMille from honorarium in perpetuum posted in CAMERA OPERATIONS
Bruce A. Simon from Legacy Members created a topic in CAMERA OPERATIONS
Bruce A. Simon from Legacy Members created a topic in CAMERA OPERATIONS
Cecil B. DeMille from honorarium in perpetuum created a topic in CAMERA OPERATIONS
Bruce A. Simon from Legacy Members created an event in CAMERA OPERATIONS
Bruce A. Simon from Legacy Members posted in CAMERA OPERATIONS
Some more wisdom from DP Roy Wagner ASC
Cecil B. DeMille from honorarium in perpetuum created a topic in CAMERA OPERATIONS
Janna Miesner posted in CAMERA OPERATIONS
From the Cinematography Group on Facebook!
Pretty cool!
Amazing lighting setup, no VFX, by ⚡@mattardine "Nike, 2017.
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Lights
8 – 20k balloons, 20’x8′
145 – Martin Rushpars
50 – Colorado Tripars
75 – Sunstrips
10 – Clay Paky Scenius
30 – Clay Paky Sharpys
12 – Arri Skypanel S-60
4 – ETC Source 4 Lustre
2 – Brite Box Flame follow spot
2- Arrimax 18k
2 – GrandMA2 Full
4 – GrandMA2 NPU
4 – TMB Proplex Fiber Switches
4 – 750′ Fiber
1 – WDMX 2 Universe Transmitter
8 – Innovative Dimmers Cinetennas
8 – Optisplitters
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Production Company: Doomsday
Director: Hiro Murai
Cinematographer: Larkin Seiple
Lighting Designer: Matt Ardine
Lighting Console Programmer: Eric Androvich
Rigging Gaffer: Ted Barnes
DMX Tech: Paul Sartain
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⚡@iatselocal728 @clay.paky @ma_lighting_international
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Lighting gear provided by: @voltlites
Electrical Gear Provided by: Blackline Rigging and Lighting
Lighting Balloons Provided: @onelightballoons
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post via : @filmlights ⚡️
Amazing lighting setup, by ⚡@mattardine "Nike, 2017.
-
Lights
8 – 20k balloons, 20’x8′
145 – Martin Rushpars
50 – Colorado Tripars
75 – Sunstrips
10 – Clay Paky Scenius
30 – Clay Paky Sharpys
12 – Arri Skypanel S-60
4 – ETC Source 4 Lustre
2 – Brite Box Flame follow spot
2- Arrimax 18k
2 – GrandMA2 Full
4 – GrandMA2 NPU
4 – TMB Proplex Fiber Switches
4 – 750′ Fiber
1 – WDMX 2 Universe Transmitter
8 – Innovative Dimmers Cinetennas
8 – Optisplitters
-
Production Company: Doomsday
Director: Hiro Murai
Cinematographer: Larkin Seiple
Lighting Designer: Matt Ardine
Lighting Console Programmer: Eric Androvich
Rigging Gaffer: Ted Barnes
DMX Tech: Paul Sartain
-
⚡@iatselocal728 @clay.paky @ma_lighting_international
-
Lighting gear provided by: @voltlites
Electrical Gear Provided by: Blackline Rigging and Lighting
Lighting Balloons Provided: @onelightballoons
-
post via : @filmlights ⚡️Posted by Cinematography on Tuesday, June 23, 2020
Janna Miesner created a topic in CAMERA OPERATIONS
Cecil B. DeMille from honorarium in perpetuum created a topic in CAMERA OPERATIONS
Bruce A. Simon from Legacy Members posted in CAMERA OPERATIONS
Another Facebook post from Roy Wagner Asc on the passing of a true friend:
Bruce A. Simon from Legacy Members posted in CAMERA OPERATIONS
From Roy H. Wagner. Asc on Facebook!
Bruce A. Simon from Legacy Members posted in CAMERA OPERATIONS
Anyone know where this is from?
Clark Gable from honorarium in perpetuum created a topic in CAMERA OPERATIONS
Cecil B. DeMille from honorarium in perpetuum posted in CAMERA OPERATIONS
1) Here's an Original of a classic B&W movie "Arrival of a Train at La Ciotat", The Lumière Brothers, 1896
2) And the Upscaled and resounded version : [4k, 60 fps] update:
https://youtu.be/3RYNThid23g
3) And finally a Colorized by DeOldify Neural Network version of the video:
https://youtu.be/EqbOhqXHL7E
